Sabtu, 28 Mei 2011

[V496.Ebook] Get Free Ebook Everything You Need To Know About Colloidal Silver, by Max Crarer

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Everything You Need To Know About Colloidal Silver, by Max Crarer

Everything You Need To Know About Colloidal Silver, by Max Crarer



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Everything You Need To Know About Colloidal Silver, by Max Crarer

Give Your Body a Fighting Chance With Colloidal Silver Don't put up with colds, flu and other infections Use the cheap natural antibiotic Colloidal Silver. This New Zealand Book by Max Crarer will show you how... Learn about: The side effects and turning blue like a smurf is not one of them! The recommended dosage for you and your children The proper way to make it and what to use "My wife has suffered the pains of hell for 15 years with Lupus. What sort of people have we training doctors that an old retired farmer like you can give her something that turns her into a new woman? She has thrown away her drugs and only takes Colloidal Silver now, and no side effects. Thanks a million." That's a typical letter received by Author Max Crarer, aged 78 who was well known to Radio Pacific listeners in New Zealand, by a reader of his book about the multi-purpose natural antibiotic and healer Colloidal Silver. This little book answers all your questions about this low cost, germ-killing antibiotic. Colloidal Silver is the most powerful natural antibiotic and germ killer ever discovered and also the cheapest. It kills all harmful bacteria, fungi and viruses yet does not harm useful body bacteria. Over 650 problems can be successfully dealt with by use of Colloidal Silver. See pages 38-41 for a list of just some of these healings documented in Medical Journals

  • Sales Rank: #279728 in Books
  • Published on: 2013-02-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .19" w x 6.00" l, .27 pounds
  • Binding: Paperback
  • 80 pages

Most helpful customer reviews

16 of 16 people found the following review helpful.
about this
By tibi
Good book but only for the people who believe in alternative medicine. One of them I am so for me this book means a way in which you can be healed without chemical substances. This Colloidal Silver was given to us by GOD and the people perfected it .

15 of 15 people found the following review helpful.
Fantastic Resource with a Pushy Writing Style
By J. Robideau
This book is full of helpful information about colloidal silver from how it works to instructions for making it yourself. As others have mentioned, the writing style is a bit aggressive in certain section and can come across in a pushy salesman sort of way.

I would also prefer to see more links to outside resources. I found myself researching some topics after I put down the book and more links would have been nice.

Overall, the amount of information in this book has bumped it up to 5 stars. Highly recommended!

11 of 11 people found the following review helpful.
Ok book if you don't know anything
By jim Agnew
If you want to find out the basics this book is Ok and has good information. If you plan on making high quality silver for other people you will need a lot more technical information. If you are a survivalist/preper this is a good handbook and would be a good addition to your survival supplies along with a basic silver generator and a way to distil water. The book title should be "Basic Knowledge You Need To Know About Colloidal Silver". It is not an everything book which is why I only gave it 2 stars. If it had the other title I would give it 3 stars.

See all 64 customer reviews...

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Kamis, 19 Mei 2011

[D127.Ebook] PDF Download A Long Way Home: A Memoir, by Saroo Brierley

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A Long Way Home: A Memoir, by Saroo Brierley

First it was a media sensation. Then it became the #1 international bestseller A Long Way Home. Now it’s Lion, a major motion picture starring Dev Patel, Nicole Kidman, and Rooney Mara.

This is the miraculous and triumphant story of Saroo Brierley, a young man who used Google Earth to rediscover his childhood life and home in an incredible journey from India to Australia and back again...

At only five years old, Saroo Brierley got lost on a train in India. Unable to read or write or recall the name of his hometown or even his own last name, he survived alone for weeks on the rough streets of Calcutta before ultimately being transferred to an agency and adopted by a couple in Australia.

Despite his gratitude, Brierley always wondered about his origins. Eventually, with the advent of Google Earth, he had the opportunity to look for the needle in a haystack he once called home, and pore over satellite images for landmarks he might recognize or mathematical equations that might further narrow down the labyrinthine map of India. One day, after years of searching, he miraculously found what he was looking for and set off to find his family.

A Long Way Home is a moving, poignant, and inspirational true story of survival and triumph against incredible odds. It celebrates the importance of never letting go of what drives the human spirit: hope.

  • Sales Rank: #19773 in Books
  • Published on: 2015-06-02
  • Released on: 2015-06-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .78" w x 5.40" l, 1.00 pounds
  • Binding: Paperback
  • 288 pages

Review
“Amazing stuff.”—The New York Post
 
“So incredible that sometimes it reads like a work of fiction.”—Winnipeg Free Press (Canada)
 
“A remarkable story.”—Sydney Morning Herald Review
 
“I literally could not put this book down...[Saroo's] return journey will leave you weeping with joy and the strength of the human spirit.”—Manly Daily (Australia)
 
“We urge you to step behind the headlines and have a read of this absorbing account...With clear recollections and good old-fashioned storytelling, Saroo...recalls the fear of being lost and the anguish of separation.”—Weekly Review (Australia)

About the Author
Born in Khandwa, Madhya Pradesh, India, Saroo Brierley lives in Hobart, Tasmania, where he manages a family business, Brierley Marine, with his father. Saroo’s story has been published in several languages and is now a major motion picture from The Weinstein Company.

Excerpt. © Reprinted by permission. All rights reserved.
1.

Remembering

When I was growing up in Hobart, I had a map of India on my bedroom wall. My mum—my adoptive mother—had put it there to help me feel at home when I arrived from that country at the age of six to live with them in 1987. She had to teach me what the map represented—I was completely uneducated. I didn’t even know what a map was, let alone the shape of India.

Mum had decorated the house with Indian objects—there were some Hindu statues, brass ornaments and bells, and lots of little elephant figurines. I didn’t know then that these weren’t normal objects to have in an Australian house. She had also put some Indian printed fabric in my room, across the dresser, and a carved wooden puppet in a brightly colored outfit. All these things seemed sort of familiar, even if I hadn’t seen anything exactly like them before. Another adoptive parent might have made the decision that I was young enough to start my life in Australia with a clean slate and could be brought up without much reference to where I’d come from. But my skin color would always have given away my origins, and anyway, she and my father chose to adopt a child from India for a reason, as I will go into later.

The map’s hundreds of place-names swam before me throughout my childhood. Long before I could read them, I knew that the immense V of the Indian subcontinent was a place teeming with cities and towns, with deserts and mountains, rivers and forests—the Ganges, the Himalayas, tigers, gods!—and it came to fascinate me. I would stare up at the map, lost in the thought that somewhere among all those names was the place I had come from, the place of my birth. I knew it was called “Ginestlay,” but whether that was the name of a city, or a town, or a village, or maybe even a street—and where to start looking for it on that map—I had no idea.

I didn’t know for certain how old I was, either. Although official documents showed my birthday as May 22, 1981, the year had been estimated by Indian authorities, and the date in May was the day I had arrived at the orphanage from which I had been offered up for adoption. An uneducated, confused boy, I hadn’t been able to explain much about who I was or where I’d come from.

At first, Mum and Dad didn’t know how I’d become lost. All they knew—all anyone knew—was that I’d been picked off the streets of Calcutta, as it was still known then, and after attempts to find my family had failed, I had been put in the orphanage. Happily for all of us, I was adopted by the Brierleys. So to start with, Mum and Dad would point to Calcutta on my map and tell me that’s where I came from—but in fact the first time I ever heard the name of that city was when they said it. It wasn’t until about a year after I arrived, once I’d made some headway with English, that I was able to explain that I didn’t come from Calcutta at all—a train had taken me there from a train station near “Ginestlay.” That station might have been called something like “Bramapour,” “Berampur” . . . I wasn’t sure. All I knew was that it was a long way from Calcutta, and no one had been able to help me find it.

Of course, when I first arrived in Australia, the emphasis was on the future, not the past. I was being introduced to a new life in a very different world from the one I’d been born into, and my new mum and dad were putting a lot of effort into facing the challenges that experience brought. Mum didn’t worry too much about my learning English immediately, since she knew it would come through day-to-day use. Rather than trying to rush me into it, she thought it was far more important at the outset to comfort and care for me, and gain my trust. You don’t need words for that. She also knew an Indian couple in the neighborhood, Saleen and Jacob, and we would visit them regularly to eat Indian food together. They would speak with me in my own language, Hindi, asking simple questions and translating instructions and things Mum and Dad wanted me to know about how we’d live our life together. Being so young when I got lost and coming from a very basic background, I didn’t speak much Hindi, either, but being understood by someone was a huge help in becoming comfortable about my new surroundings. Anything my new parents weren’t able to communicate through gestures and smiles, we knew Saleen and Jacob could help us with, so we were never stuck.

I picked up my new language quite quickly, as children often do. But at first I spoke very little about my past in India. My parents didn’t want to push me to talk about it until I was ready, and apparently I didn’t show many signs that I gave it much thought. Mum remembers a time when I was seven, when out of the blue I got very distressed and cried out, “Me begot!” Later she found out I was upset that I had forgotten the way to the school near my Indian home, where I used to watch the students. We agreed that it probably didn’t matter anymore. But deep down, it mattered to me. My memories were all I had of my past, and privately I thought about them over and over, trying to ensure that I didn’t “beget.”

In fact, the past was never far from my mind. At night memories would flash by and I’d have trouble calming myself so I could sleep. Daytime was generally better, with lots of activity to distract me, but my mind was always busy. As a consequence of this and my determination not to forget, I have always recalled my childhood experiences in India clearly, as an almost complete picture—my family, my home, and the traumatic events surrounding my separation from them have remained fresh in my mind, sometimes in great detail. Some of these memories were good, and some of them bad—but I couldn’t have one without the other, and I couldn’t let them go.

My transition to life in another country and culture wasn’t as difficult as one might expect, most likely because, compared to what I’d gone through in India, it was obvious that I was better off in Australia. Of course, more than anything I wanted to find my mother again, but once I’d realized that was impossible, I knew I had to take whatever opportunity came my way to survive. Mum and Dad were very affectionate, right from the start, always giving me lots of cuddles and making me feel safe, secure, loved, and above all, wanted. That meant a lot to a child who’d been lost and had experienced what it was like for no one to care about him. I bonded with them readily, and very soon trusted them completely. Even at the age of six (I would always accept 1981 as the year of my birth), I understood that I had been awarded a rare second chance. I quickly became Saroo Brierley.

Once I was safe and secure in my new home in Hobart, I thought perhaps it was somehow wrong to dwell on the past—that part of the new life was to keep the old locked away—so I kept my nighttime thoughts to myself. I didn’t have the language to explain them at first anyway. And to some degree, I also wasn’t aware of how unusual my story was—it was upsetting to me, but I thought it was just the kind of thing that happened to people. It was only later, when I began to open up to people about my experiences, that I knew from their reactions it was out of the ordinary.

Occasionally the night thoughts would spill over into the day. I remember Mum and Dad taking me to see the Hindi film Salaam Bombay! Its images of the little boy trying to survive alone in a sprawling city, in the hope of returning to his mother, brought back disturbing memories so sharply that I wept in the dark cinema. After that, my parents only took me to fun Bollywood-style movies.

Even sad music of any kind (though particularly classical) could set off emotional memories, since in India I had often heard music emanating from other people’s radios. Seeing or hearing babies cry also affected me strongly, probably because of memories of my little sister, Shekila. The most emotional thing was seeing other families with lots of children. I suppose that, even in my good fortune, they reminded me of what I’d lost.

But eventually I began talking about the past. Only a month or so after my arrival, I described to Saleen my Indian family in outline—mother, sister, two brothers—and that I’d been separated from my brother and become lost. I didn’t have the resources to explain too much, and Saleen gently let me lead the story to where I wanted it to go rather than pressing me. Gradually, my English improved; we were speaking Hinglish, but we were all learning. I told Mum and Dad a few more things, like the fact that my father had left the family when I was very little. Most of the time, though, I concentrated on the present: I had started going to school, and I was making new friends and discovering a love of sport.

Then one wet weekend just over a year after I’d arrived in Hobart, I surprised Mum—and myself—by opening up about my life in India. I’d probably come to feel more settled in my new life and now had some words to put to my experiences. I found myself telling her more than ever before about my Indian family: about how we were so poor that we often went hungry, or how my mother would have me go around to people’s houses in the neighborhood with a pot to beg for any leftover food. It was an emotional conversation, and Mum held me close during our talk. She suggested that together we draw a map of the place I was from, and as she drew, I pointed out where my family’s home was on our street, the way to the river where all the kids played, and the bridge under which you walked to get to the train station. We traced the route with our fingers and then drew the home’s layout in detail. We put in where each member of my family slept—even the order in which we lay down at night. We returned to the map and refined it as my English improved. But in the whirl of memories brought on by first making that map, I was soon telling Mum about the circumstances of my becoming lost, as she looked at me, amazed, and took notes. She drew a wavy line on the map, pointing to Calcutta, and wrote, “A very long journey.”

A couple of months later, we took a trip to Melbourne to visit some other kids who had been adopted from the same Calcutta orphanage as me. Talking enthusiastically in Hindi to my fellow adoptees inevitably brought back the past very vividly. For the first time, I told Mum that the place I was from was called “Ginestlay,” and when she asked me where I was talking about, I confidently, if a little illogically, replied, “You take me there and I’ll show you. I know the way.”

Saying aloud the name of my home for the first time since arriving in Australia was like opening a release valve. Soon after that, I told an even more complete version of events to a teacher I liked at school. For over an hour and a half, she wrote notes, too, with that same amazed expression. Strange as I found Australia, for Mum and my teacher, hearing me talk about India must have been like trying to understand things that had occurred on another planet.

• • •

The story I told them was about people and places I’d turned over in my mind again and again since I arrived in Australia, and which I would continue to think about often as I grew up. Not surprisingly, there are gaps here and there. Sometimes I’m unsure of details, such as the order in which incidents occurred, or how many days passed between them. And it can be difficult for me to separate what I thought and felt then, as a child, from what I’ve come to think and feel over the course of the twenty-seven years that followed. Although repeated revisiting and searching the past for clues might have disturbed some of the evidence, much of my childhood experience remains vivid in my memory.

Back then, it was a relief to tell my story, as far as I understood it. Now, since the life-changing events that sparked after my thirtieth birthday, I am excited by the prospect that sharing my experiences might inspire hope in others.

2.

Getting Lost

Some of my most vivid memories are the days I spent watching over my baby sister, Shekila, her grubby face smiling up at me as we played peekaboo. She always looked at me with adoring eyes, and it made me feel good to be her protector and hero. In the cooler seasons, Shekila and I spent many nights waiting alone in the chilly house like newly hatched chicks in a nest, wondering if our mother would come home with some food. When no one came, I’d get the bedding out—just a few ragged sheets—and cuddle with her for warmth.

During the hot months of the year, my family would join the others with whom we shared the house and gather together outside in the courtyard, where someone played the harmonium and others sang. I had a real sense of belonging and well-being on those long, warm nights. If there was any milk, the women would bring it out and we children got to share it. The babies were fed first, and if any was left over, the older ones got a taste. I loved the lingering sensation of its sticky sweetness on my tongue.

On those evenings I used to gaze upward, amazed at how spectacular the night sky was. Some stars shone brightly in the darkness, while others merely blinked. I wondered why flashes of light would suddenly streak across the sky for no reason at all, making us “ooh” and “aah.” Afterward we would all huddle together, bundled up in our bedding on the hard ground, before closing our eyes in sleep.

That was in our first house, where I was born, which we shared with another Hindu family. Each group had their own side of a large central room, with brick walls and an unsealed floor made of cowpats and mud. It was very simple but certainly no chawl—those warrens of slums where the unfortunate families of the megacities like Mumbai and Delhi find themselves living. Despite the closeness of the quarters, we all got along. My memories of this time are some of my happiest.

My mother, Kamla, was a Hindu and my father a Muslim—an unusual marriage at the time, and one that didn’t last long. My father spent very little time with us (I later discovered he had taken a second wife), and so my mother raised us by herself.

My mother was very beautiful, slender, with long, lustrous black hair—I remember her as the loveliest woman in the world. She had broad shoulders, and limbs made of iron from all her hard work. Her hands and face were tattooed, as was the custom, and most of the time she wore a red sari. I don’t remember much about my father, since I only saw him a few times. I do recall that he wore white from top to bottom, his face was square and broad, and his curly dark hair was sprinkled with gray.

As well as my mother and my baby sister, Shekila, whose name was Muslim unlike ours, there were also my older brothers, Guddu and Kallu, whom I loved and looked up to. Guddu was tall and slim, with curly black hair down to his shoulders. He was light-skinned, and his face resembled my mother’s. Usually he wore short shorts and a white shirt—all our clothes were hand-me-downs from the neighbors, but because of the heat we didn’t need much. Kallu was heavier than Guddu, broad from top to bottom, with thin hair. On the other hand, I had short, straight, thick hair, and I was extremely skinny as a child; my face resembled my father’s more than my mother’s.

When my father did live with us, he could be violent, taking his frustrations out on us. Of course, we were helpless—a lone woman and four small children. Even after he moved out, he wanted to be rid of us altogether. At the insistence of his new wife, he even tried to force us to leave the area so that he could be free of the burden that our presence brought to bear. But my mother had no money to leave, nowhere to live, and no other way to survive. Her small web of support didn’t extend beyond our neighborhood. Eventually, my father and his wife quit the area themselves and moved to another village, which improved things for us a bit.

I was too young to understand the separation of my parents. My father simply wasn’t around. On a few occasions I found I had been given rubber flip-flops and was told he’d bought new shoes for all of us, but beyond that he didn’t help out.

The only vivid memory I have of seeing my father was when I was four and we all had to go to his house to visit his new baby. It was quite an expedition. My mother got us up and dressed, and we walked in the terrible heat to catch the bus. I remember seeing my mother coming toward me from the outdoor ticket booth, her image hazy in the wavering heat emanating from the tarmac. I kept a particular eye on Shekila, who was exhausted by the sizzling temperature. The bus journey was only a couple of hours, but with the walking and waiting, the journey took all day. There was another hour’s walk at the other end, and it was dark by the time we reached the village. We spent the night huddled together in the entranceway of a house owned by some people my mother knew (they had no room inside to offer, but the nights were hot and it wasn’t unpleasant). At least we were off the streets.

Only the next morning, after we had shared a little bread and milk, I found out that my mother wasn’t coming with us—she was not permitted. So we four children were escorted up the road by a mutual acquaintance of our parents to our father’s place. My mother would wait at her friend’s house.

Despite all this—or perhaps being oblivious to most of it—I was very happy to see my father when he greeted us at the door. We went inside and saw his new wife and met their baby. It seemed to me his wife was kind to us—she cooked us a nice dinner and we stayed the night there. But in the middle of the night I was shaken awake by Guddu. He said that he and Kallu were sneaking out, and asked if I wanted to come along. But all I wanted to do was sleep. When I woke again, it was to hear my father answering a loud knocking at the front door. A man had seen my brothers running from the village into the open countryside beyond. The man was worried they could be attacked by wild tigers.

I later learned that Guddu and Kallu had attempted to run away that night—they were upset by what was happening in our family and wanted to get away from our father and his other wife. Fortunately, they were found later that morning, safe and sound.

But one problem morphed into another: the same morning, standing in the street, I saw my father approaching and realized that he was chasing after my mother, with a couple of people following behind him. Not far from me, she suddenly stopped and spun on her heel to face him, and they argued and shouted angrily. Quickly they were joined by other people on both sides. Perhaps their personal argument tapped into the tension between Hindus and Muslims, and it quickly turned into a confrontation. The Hindus lined up with my mother, facing the Muslims, who were aligned with my father. Tempers rose very high, and many insults were exchanged. We children gravitated toward our mother, wondering what would happen with all the shouting and jostling. Then, shockingly, my father hurled a small rock that hit my mother on the head. I was right next to her when it struck her and she fell to her knees, her head bleeding. Luckily, this act of violence seemed to shock the crowds, too, cooling tempers rather than exciting them. As we tended to my mother, the crowd on both sides started to drift away.

A Hindu family found the room to take us in for a few days while my mother rested. They told us later that a police officer had taken my father away and locked him up in the cells at the village police station for a day or two.

This episode stayed with me as an example of my mother’s courage in turning to face down her pursuers, and also of the vulnerability of the poor in India. Really, it was just luck that the crowds backed off. My mother—and perhaps all of us—could easily have been killed.

Although we weren’t brought up as Muslims, after my father left, my mother moved us to the Muslim side of town, where I spent most of my childhood. She may have felt that we would fare better there, since the neighborhood was a little less destitute. Even after we moved, I don’t remember having any religious instruction as a child, other than the occasional visit to the local shrine. But I do remember simply being told one day that I wasn’t to play with my old friends anymore because they were Hindus. I had to find new—Muslim—friends. Back then the religions didn’t mix, and neither did the people.

When we moved to our new house, we all carried everything we owned, which was only some crockery and bedding. I cradled in my arms small items such as a rolling pin and light pots and pans. I was excited about being in a new place, although I didn’t really know what was happening. At that point I didn’t understand what religion was. I just saw Muslims as people who wore different garments than Hindus; the men dressed all in white and some had long beards, with white hats on their heads.

In our second home, we were by ourselves but in more cramped quarters. Our flat was one of three on the ground level of a red-brick building and so had the same cowpat-and-mud floor we’d had before. Just a single room, it had a little fireplace in one corner and a clay tank in another for water to drink and sometimes wash with. There was one shelf where we kept our sleeping blankets. Only rich people could afford electricity, so we made do with candlelight. I was afraid of the spiders that would crawl along the wall. There were mice, too, but they didn’t bother me the way the insects did. The structure was always falling apart a little—my brothers and I would sometimes pull out a brick and peer outside for fun before putting it back in place.

Our town, which I knew as “Ginestlay,” was generally hot and dry, except during the heavy rains of the monsoon. A range of large hills in the distance was the source of the river that ran past the old town walls, and in the monsoon, the river would break its banks and flood the surrounding fields. We used to wait for the river to recede after the rains stopped so we could get back to trying to catch small fish in more manageable waters. In town, the monsoon also meant that the low railway underpass filled with water from the stream it crossed and became unusable. The underpass was a favorite place for the local kids to play, despite the dust and gravel that rained down on us when a train crossed.

Our neighborhood in particular, with its broken and unpaved streets, was very poor. It housed the town’s many railway workers, and to the more wealthy and highborn citizenry, it was literally on the wrong side of the tracks. There wasn’t much that was new, and some of the buildings were tumbling down. Those who didn’t live in communal buildings lived in tiny houses like we had: one or two rooms down narrow, twisting alleyways, furnished in the most basic way—a shelf here and there, a low wooden bed and a tap over a drain, perhaps.

The streets were full of cows wandering around, even in the town center, where they might sleep in the middle of the busiest roads. Pigs slept in families, huddled together on a street corner at night, and in the day they would be gone, foraging for whatever they could find. It was almost as if they worked nine to five and clocked off to go home and sleep. Who knew if they belonged to anyone—they were just there. Most people didn’t eat pork, as it was considered unclean. There were goats, too, kept by the Muslim families, and chickens pecking in the dust.

Unfortunately, there were also lots of dogs, which scared me—some were friendly, but many were unpredictable or vicious. I was particularly afraid of dogs after I was chased by one, snarling and barking. As I ran away, I tripped and hit my head on a broken tile sticking up from the old pathway. I was lucky not to lose an eye but got a bad gash along the line of my eyebrow, which a neighbor patched up with a bandage. When I’d finally resumed my walk home, I ran into Baba, our local holy man, who would give advice and a blessing to local people. Baba told me never to be afraid of dogs—that they would only bite you if they felt you were scared of them. I tried to keep that advice in mind but remained nervous around dogs on the street. I knew from my mother that some dogs had a deadly disease that you could catch, even if they didn’t do worse than nip you. I still don’t like dogs, and I’ve still got the scar.

Since my father wasn’t around, my mother had to support us. Soon after Shekila’s birth, she went off to work on building sites. Since she was a strong woman, she was able to do the hard work involved, carrying heavy rocks and stones on her head in the hot sun. She worked six days a week from morning until dusk for a handful of rupees—something like a dollar and thirty cents. This meant that I didn’t see very much of her. Often she had to go to other towns for work and could be away for days at a time. It was a great feeling to see her walking up the street after several days’ absence. You couldn’t miss her since she always wore a red sari. Usually on Saturdays she would come home, and often she brought back some food. Yet she still couldn’t earn enough money to provide for herself and four children. At age ten Guddu went to work, too, and his first long shift of about six hours washing dishes in a restaurant earned him less than half a rupee.

We lived one day at a time. There were many occasions when we begged for food from neighbors, or begged for money and food on the streets by the marketplace and around the railway station. Sometimes my mother would send me out in the evening to knock on doors and ask for leftovers. I’d set off with a metal bowl. Some scowling people angrily shouted “Go away!” while others might have something to give me—perhaps a little kichery, biryani rice (rice layered with meat), or yogurt curry. Occasionally I got a thrashing if I was too persistent.

Once I found a partially broken glass jar near my house. It had contained mango pickle, but most of it had been scraped out. I decided to use my fingers to get what remained in the jar. I tried to avoid the glass particles, but I was so hungry that I gulped down whatever I could scoop out.

Often when walking around the neighborhood, I would see crockery that had been left outside to be cleaned. I usually checked to see if anything was stuck to the bottom of the pot. Typically any leftover food was covered with flies, which I’d shoo away before devouring whatever remained. Sometimes a dog was hanging around, and I didn’t know if it had licked the pot or not. I’d get a rock and chase it away before eating what was left. When you’re starving, you aren’t too particular about what you put into your mouth. On days when no food was available, you just wouldn’t eat.

Hunger limits you because you are constantly thinking about getting food, keeping the food if you do get your hands on some, and not knowing when you are going to eat next. It’s a vicious cycle. You want something to fill your stomach, but you don’t know how to get it. Not having enough to eat paralyzes you and keeps you living hour by hour instead of thinking about what you would like to accomplish in a day, week, month, or year. Hunger and poverty steal your childhood and take away your innocence and sense of security. But I was one of the lucky ones because I not only survived but learned to thrive.

• • •

One big impact that our Muslim neighborhood had on my upbringing wasn’t pleasant—circumcision at about age three. I don’t know why I had to endure it even though we weren’t converts to Islam—perhaps my mother thought it wise to go along with some of the local area’s customs to keep the peace, or maybe she was told it was a requirement of our living there. For whatever reason, it was done without anesthetic, so it’s unsurprisingly one of my clearest and earliest memories.

I was playing outside when a boy came up and told me I was needed at home. When I got there, I found a number of people gathered, including Baba. He told me that something important was going to happen, and my mother told me not to worry, that everything would be all right. Then several men from the neighborhood ushered me into the larger upstairs room of our building. There was a big clay pot in the middle of the room, and they told me to take my shorts off and sit down on it. Two of them took hold of my arms, and another stood behind me to support my head with his hand. The remaining two men held my body down where I sat on top of the clay pot. I had no idea what was going on, but I managed to stay fairly calm—until another man arrived with a razor blade in his hands. I cried out and tried to struggle, but they held me fast as the man deftly sliced. It was very painful but over in seconds. He bandaged me up, and my mother carried me out and took care of me on a bed.

A few minutes later, Kallu went into the upstairs room and the same thing happened to him, but not Guddu. Perhaps he’d already had it done.

That night the neighborhood held a party, with feasting and singing, but Kallu and I could only sit on our rooftop, listening. We weren’t allowed to go outside for several days, during which time we were forced to fast and wore only a shirt with no trousers while we recovered.

• • •

Most helpful customer reviews

90 of 92 people found the following review helpful.
A Wonderful real-life tale of Hope and the human spirit
By Raghu Nathan
This book tells an amazing story. There is simply no other way to describe it. It is the real-life story of Saroo, a five-year-old child in a village in central India, who gets lost and finds himself transported all the way east to Calcutta, some 1800 kms away. Young Saroo, all of five, penniless and illiterate, does not even know the name of his village and knows little else about where he was from. He gets off at the bustling, crowded Howrah train station and survives for six weeks in the intimidating bad and mean streets of Calcutta by his instincts and luck. He ends up at a benevolent orphanage called ISSA, where the kindly Ms.Saroj Sood - tries to find his family and re-unite him. But all Saroo can tell was that he was from Ginestlay, which is what he remembered as his village's name. He also mistakenly says that he travelled just overnight by train when in reality he had travelled almost 24 hours to get to Calcutta. After a couple of moths' futile effort, Mrs.Sood pronounces him 'lost' and organizes him to be adopted by Sue and John Brierley, a young couple from Tasmania, Australia.

Saroo is lovingly brought up by the Brierleys and he grows up into a happy and well-integrated Aussie over the next 20 years. However Saroo always wonders about his origins, with clear memories of his birth mother Kamala, his kid sister Shekila and elder brothers Kallu and Guddu, whom he looked up to as a child two decades before. He starts working on trying to find where he was from by using the feeble memories of his childhood. All he had to go by was that there was a train station whose name was something like 'Berampur' , that it had a water tower, an overpass across the tracks and that the town had a fountain near a cinema. His village 'Ginestlay' was somewhere nearby and that they were all reachable overnight by train from Calcutta. Gradually, over five years, with incredible patience and perseverance , Saroo, at age 30, using Google Earth's satellite images and Facebook, miraculously locates the train station with the identifying features of his childhood. He notes that a nearby town is called Khandwa and that there is a Facebook group belonging to people from Khandwa. He contacts them and gets the key info that there is a nearby village called Ganesh Talai - the 'Ginestlay' of 5-year-old Saroo! Saroo soon goes to India and reconnects with his birth family to the great delight of his elderly mother Kamala and his siblings Shekila and Kallu, who are now married with children. Sadly, Guddu, his eldest brother whom he adored as a child, was killed in an accident just on the same day that Saroo got lost 25 years before. Otherwise, it is a happy resolution for Saroo.

Not only Saroo, but his Aussie parents, Sue and John as well, come off as wonderful, loving and caring parents and individuals. Sue herself was a WWII refugee from Hungary and her story is also inspring as told it in the book. Saroo's birth mother Kamala is another remarkable woman, who never gave up hope that her son Sheru (which is his correct name!) would return one day. Hence she never moved from the shack where she lived so that she will be there when Saroo comes back! The other heroes in the book are the internet, Google Earth and Facebook! It is a great tribute to these wonderful technologies which make it possible for the adult Saroo to sit ten thousand miles away in Hobart, Australia and exactly locate the water tower and overpass of his childhood memory and find out the correct name of his village. Let no one denounce technology again!

I found the book moving, inspirational and one of hope and the indomitable spirit of the humankind. It is a story of triumph against great odds. Going through the early chapters where Saroo survives for six weeks as a five-year-old in Calcutta, I had palpitations as I felt anxious that nothing terrible should befall young Saroo! The book also has a special appeal for me since I grew up in India and lived for 13 years in wonderful Australia.

39 of 45 people found the following review helpful.
Amazing!
By Smiley
This was simply the most amazing story on so many levels.

Back in 1986 five year old Saroo made a last minute decision to accompany his older brother on a short train trip to a nearby town in rural India. Although he was supposed to be babysitting his baby sister, Saroo risked his mother's wrath and left his humble home, not realising just what a journey he was about to make. Instructed to wait on the platform by his older brother, young Saroo was scared and confused when his older brother failed to return in the specified time. Deciding to make his own way home he hopped onto a waiting train - a train that would end up taking him half way across the country and far, far away from his family.

Alone on the streets of Calcutta, Saroo lives by his wits for several weeks before being rescued by a caring woman who runs a nearby orphanage. Although attempts were made to locate Saroo's family, the task was basically impossible given that they were so far away and young Saroo had so little information to give them. Within weeks Saroo is adopted by an Australian couple and is soon on his way to a new life in Hobart.

Although Saroo's life in Australia is a wonderful and fulfilling one, he cannot forget the family he left behind. Yet, he has so little to go on - just his own childish memories of the name of his own small village and the nearby town where he boarded the train. Then one day he comes across Google Earth and for the first time he realises he may just find his family after all. It is not an easy search though, it literally takes years of painstaking searching branching out from Calcutta and tracing every possible train route. But then one day everything falls into place - before his eyes is the train station he can still clearly remember with it's distinctive landmarks. Against ridiculous odds, Saroo finally found his childhood home.

This is a simply written book but I was captivated right from the first page. It seemed unimaginable that a five year old child could not only get through such a traumatic and frightening experience but had the street smarts to survive against many significant dangers.

Even if you have no belief in fate or destiny, I think it would be impossible not to be moved by this amazing story.

18 of 21 people found the following review helpful.
Almost Great
By Space Salamander
This is, by its nature, a fascinating story. You don't need much more than the simple description on the cover to understand why-- it's a crazy premise that came to fruition thanks to modern technology.

The problem is that Saroo isn't a writer. The writing has no real style, and practically no dialogue or character development. I understand this must have been put together very quickly to capitalize on all the media going on around him, but it could have been a truly great book if he'd worked with a ghostwriter/co-author. As it stands, it's still an interesting book, but not one that kept me up at night or that I think I'll remember in any detail years from now. I was left wishing he'd gone deeper into the characters-- the descriptions are surface-y and never really let you hear anyone's voice.

That said, I admire Saroo quite a bit for his ability not only to survive, but to have a healthy attitude about all of it, to want to help his family and other orphaned kids in India, and to appreciate what his adoptive family did for him. He seems like a good guy who lived an extraordinary circumstance without really grasping just HOW extraordinary until he realized that the whole world wanted to know his story.

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Selasa, 10 Mei 2011

[V378.Ebook] Ebook Organizational Change: Perspectives on Theory and Practice, by Piers Myers, Sally Hulks, Liz Wiggins

Ebook Organizational Change: Perspectives on Theory and Practice, by Piers Myers, Sally Hulks, Liz Wiggins

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Organizational Change: Perspectives on Theory and Practice, by Piers Myers, Sally Hulks, Liz Wiggins

Written by scholars who also work as consultants, Organizational Change: Perspectives on Theory and Practice combines rigorous theoretical exploration with practical insights from the field. Authors Piers Myers, Sally Hulks, and Liz Wiggins offer a truly fresh and authentic approach, providing a broad and in-depth look at organizational change that integrates multiple perspectives. Tacking the key issues--including why change happens, what changes, and how change is achieved--this unique volume encompasses the emotional and psychological dimensions of change that are often neglected in other textbooks. It considers culture, politics, and organizational learning and also reviews a range of current change methodologies. Each chapter features case studies and reflective exercises that illustrate themes. A Companion Website offers resources for both students and instructors.

  • Sales Rank: #1902029 in Books
  • Brand: Brand: Oxford University Press, USA
  • Published on: 2012-05-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.40" h x .90" w x 9.60" l, 1.10 pounds
  • Binding: Paperback
  • 384 pages
Features
  • Used Book in Good Condition

About the Author
Piers Myers is Senior Lecturer in Human Resource Management Strategy and Consulting at London South Bank University. His research, writing and teaching interests centre on business psychology, leadership, HR strategy and organizational change. Before joining the university in 2001, Piers ran his own consultancy business, and he continues to undertake selected projects as a change consultant and coach. He has also worked as a psychotherapist, in the computing industry and in social work. Piers has a first degree in Mathematics from Oxford University, and Masters degrees in Mathematics from Princeton University and in Psychotherapy and Counselling from City University. Sally Hulks works as Director of Change for a UK government department. She is a Research Fellow of Ashridge Business School where she worked previously as a change consultant. Prior to joining Ashridge Sally was HR Director for KPMG, having spent her early career at the BBC and in retail management. Sally has a first degree in French, Masters degrees in Organizational Behaviour (Birkbeck College) and Organizational Consulting (Ashridge) and is a Fellow of the Institute of Personnel Development. She is an accredited executive coach and holds British Psychological certificates of competence, Levels A and B, in psychometric testing. Liz Wiggins works as a change consultant and executive coach for Ashridge Business School, supporting organizations, leaders and change agents in the public, private and voluntary sectors. She is also a member of faculty on two Masters programmes run at Ashridge. Before joining Ashridge, Liz worked for Unilever with responsibility globally for internal communication and was a member of the global HR Leadership team. Liz has also worked in the telecommunications sector and for a medium sized change and communication consultancy. Liz has a first degree in psychology and philosophy (Durham), Masters degrees in Organizational Psychology (Birkbeck) and Executive Coaching (Ashridge). She also has a PhD from Birkbeck College, University of London where her research interest was in management consultants.

Most helpful customer reviews

0 of 0 people found the following review helpful.
An essential handbook in the modern age
By Kph_1
Clear, readable, inspiring. This is a book I would thoroughly recommend anyone who is leading change and not sure what to do next.

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Minggu, 08 Mei 2011

[C826.Ebook] Fee Download Gates of Eden: American Culture in the Sixties, by Morris Dickstein

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Gates of Eden: American Culture in the Sixties, by Morris Dickstein

Widely admired as the definitive cultural history of the 1960s, this groundbreaking work finally reappears in a new edition. The turbulent 1960s, almost from its outset, produced a dizzying display of cultural images and ideas that were as colorful as the psychedelic T-shirts that became part of its iconography. It was not, however, until Morris Dickstein's landmark Gates of Eden, first published in 1977, that we could fully grasp the impact of this raucous decade in American history as a momentous cultural epoch in its own right, as much as Jazz Age America or Weimar Germany.

From Ginsberg and Dylan to Vonnegut and Heller, this lasting work brilliantly re-creates not only the intellectual and political ferment of the decade but also its disillusionment. What results is an inestimable contribution to our understanding of 20th-century American culture.

  • Sales Rank: #3449571 in Books
  • Published on: 2016-02-23
  • Released on: 2016-02-23
  • Formats: Audiobook, MP3 Audio, Unabridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x .50" w x 5.25" l,
  • Running time: 12 Hours
  • Binding: MP3 CD

Review
"A vivacious, highly original work, combining literary criticism, political commentary...and candid personal testimony." (Walter Clemons Newsweek)

"With excellent literary judgment and judicious sympathy [Dickstein] covers politics and culture...the `new journalism,' fiction, rock music, black writing and black nationalism, and concludes with an autobiographical sketch that nicely reveals the relationship of the observer to the things observed." (Christopher Lasch New York Times Book Review)

"A vital and important book for anyone who wants to know the intricate and sometimes explosive connections between culture and politics in the sixties." (Richard Poirier)

About the Author
Morris Dickstein is Distinguished Professor Emeritus of English and Theatre at the CUNY Graduate Center and the author of Dancing in the Dark, an award-winning cultural history of the Great Depression, and Why Not Say What Happened, a memoir. He lives in New York City.

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14 of 15 people found the following review helpful.
Still Relevant in 2011
By Richard B. Schwartz
The Gates of Eden was shortlisted for the National Book Critics Circle Award and deserved that honor. (Susan Sontag's On Photography won.) A study of the sixties, its materials are largely cultural, though there is political, historical and personal matter as well.

A child of the 50's writing in the 70's, Dickstein is able to put the period in perspective. The Harvard trade paperback provides a new introduction, with an additional 20 years of insight. All of the chapters are strong, but the material on beat poetry and experimental fiction is particularly interesting. He is (forgivably) less acute when he discusses popular music. Dickstein is an old-fashioned, judicial critic. He is crisp and clear in his evaluations and he does not hesitate to state his judgments and preferences. He attacks (Tom Wolfe, e.g.) when he feels it is necessary and he separates wheat from chaff (with Barthelme, e.g.).

Most important, his historical assessment is balanced. He sees the strengths of the sixties but he also sees the period's radical shortcomings. Since the sixties are the great dividing force of our time it is appropriate to position him. Moderate with leftist inclinations, he is conservative in his intellectual posture. One of the characteristic moves of the sixties was to associate traditional literary study of classic texts (perceived, at Columbia, as a countercultural activity) with conservatism. Dickstein recounts the horror felt by his colleagues when they saw their activity characterized in this manner. His touchstone character in this regard is Lionel Trilling; Dickstein charts the roots of Trilling's views and the changes those views underwent as they received criticism from radical students.

The book illustrates that it is possible to separate scholarship and teaching from politics, even when politics are a strong interest. With all of the screeds concerning a politicized, radical academy, some tend to forget that one might vote on the left but see the merits of great books and traditional modes of scholarship. Dickstein considers himself non-traditional, but he looks very traditional from the perspective of 2011. "Traditional" in the 1950's meant philology. Dickstein would be `nontraditional' in his use of, e.g., popular culture, but he looks very traditional today and his willingness to take stands, draw distinctions and trace explicit historical patterns is refreshing and helpful.

This is a fine book on an important subject. Contemporary readers should not be put off by its 1977 date; it remains very relevant today.

5 of 6 people found the following review helpful.
The Decade of 'Do your own thing' described and analyzed
By Shalom Freedman
This look at the cultural and social meaning of a decade was actually written in the decade following it. Dickstein sees the sixties as a transformational decade in American life and surveys its meaning in poetry and fiction, in politics and journalism, in the general social life of the United States. In doing this he mixes his analysis with autobiographical experiences and reflections, indicating his own inherent conservatism opened up to many of the new developments in the Age. The transition from the staid conformist fifties to the radical sixties is one which left in Dickstein's analysis a lasting effect on American culture. For the idea of the all importance of 'personal self- fulfillment' which was a leading idea of the Sixties has persisted in American life. Dickstein is at his best in his analysis of Literature, and I found the chapter on Rock Music a bit shaky, though I am no means a maven myself in this area. He writes with clarity and perception, and for those interested in knowing about this tumultous decade in a deeper way this book is highly recommended.

1 of 2 people found the following review helpful.
Highly literate account of American culture in the sixties.
By John Martin
Gates of Eden is a highly intellectual account of American culture in the 1960’s by Professor Morris Dickstein. The current edition, published in 1997, is an updated version of the original which was published in 1977. The first part of the book is centered on the 1950’s and Dickstein focused on the strong anti-Communist sentiment and political morality of that period, and in particular on the work of Allen Ginsberg. The 60’s he says ushered in a “new sensibility,” and “brought government into the economic and political lives of Americans and out of their personal and private lives.” A number of authors and works are cited including Paul Goodman (Growing Up Absurd), Joseph Heller (Catch-22) and the works of Kurt Vonnegut and John Updike. One chapter is devoted to black (dark) humor, another to journalism, still another to African-American writing, including references to the works of Richard Wright, James Baldwin and Ralph Ellison. Another chapter covers music including Bob Dylan, Joan Baez, The Rolling Stones and The Beatles. The closing chapter covers such experimental fiction as the writing of Donald Barthelme.

Garden of Eden will appeal primarily to people with a high degree of knowledge of American literature and culture, particularly as it relates to the 1960’s, a dramatic period in American life. The average person will find it too challenging. I rate it at three stars for this reason. It is interesting to note that other reviewers list it at either five or three, which speaks to my concern noted above.

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Kamis, 05 Mei 2011

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  • Sales Rank: #533443 in eBooks
  • Published on: 2015-10-21
  • Released on: 2015-10-21
  • Format: Kindle eBook

Most helpful customer reviews

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Hot and Adorable
By starfire
It's not so much that Phoenix Baker writes really arousing sex scenes. This is erotica, and that's what we expect. It's the way Phoenix manages to write characters that are breathtakingly real. This story involves heartache, joy, and a lot of fun with a coil gun while also giving us more insight to the two most adorable women I've ever met via ebook. I can't wait to see the next work in this series!

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Rabu, 04 Mei 2011

[Z118.Ebook] Download Quick and Easy Mathematics, by Isaac Asimov

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Quick and Easy Mathematics, by Isaac Asimov

Issac Asimov demonstrates quick and easy methods for simplifying mathematics,

  • Sales Rank: #1664938 in Books
  • Published on: 1964-06
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover

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9 of 10 people found the following review helpful.
Calculating without a calculator is easier than you think!
By Jean McGill
This book shaped my life. I still have the algrebra medal that I won in ninth grade, partly because I checked out "Quick and Easy Math" again and again from the public library. Not only will it teach you ways to calculate in your head faster than you could on paper, but some of the methods require you to look at numbers with a bit more insight than the usual school child who memorizes the "times tables." In every case, Asimov explains clearly WHY the methods work, imparting valuable ideas as well as cute calculating tricks. How many of us know how to multiply any number by 999, quickly and without pencil, paper or calculator? Easy as can be, IF you know the principle behind it. Not every reader will become a mathematician as I did, but every reader will benefit from the power this book will give you over numbers, whether you are still in school or ready to impress your grandchildren.

3 of 3 people found the following review helpful.
Quick and Easy Mathematics - A goal for our time
By French Bullington
Isaac Asimov is the superb master of explanation! He proves it when he easily explains methods for calculations from the very basic to the quite complicated.
Dr. Asimov has discussed many subjects over the past 60+ years. All have shown insight into each particular suject.
But this book shows a true Grand Master doing what he does best; explain.
He shows a mastery of math problems can be easy and fun! If you have trouble with math in any form, this is the book for you!

0 of 0 people found the following review helpful.
Math made Easy
By Amazon Customer
This book, first purchased by my husband in the 60's, was a total revelation for both of us. Although we were not deficient in our math abilities, it still brought a new enlightenment to us. Additionally, it brought a new prospective on math to our children. I was delighted to find it again and have purchased it for my 12 year-old grandson.

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Selasa, 03 Mei 2011

[R715.Ebook] Get Free Ebook Design and Optimization of Thermal Systems, Second Edition (Mechanical Engineering), by Yogesh Jaluria

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Thermal systems play an increasingly symbiotic role alongside mechanical systems in varied applications spanning materials processing, energy conversion, pollution, aerospace, and automobiles. Responding to the need for a flexible, yet systematic approach to designing thermal systems across such diverse fields, Design and Optimization of Thermal Systems, Second Edition provides hands-on guidance needed to solve practical and progressively complex design problems.

This bookoffers a thorough examination of basic concepts and procedures for conceptual design, formulation, modeling, simulation, feasible design, and optimization. The chapters encompass traditional as well as emerging techniques, featuring timely and compelling examples to demonstrate the range of potential problems and available solutions that readers may apply to their own needs.

Maintaining its emphasis on mathematical modeling and simulation techniques, this revised edition offers extended coverage on manufacturability, material selection, and sensitivity. It includes new material on genetic and gradient search methods and highlights significant trends such as knowledge-based design methodology. This edition also updates and enhances its coverage of important economic, safety, security, and environmental aspects and considerations.

  • Sales Rank: #1195731 in Books
  • Brand: Brand: CRC Press
  • Published on: 2007-12-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.25" w x 1.75" l, 2.47 pounds
  • Binding: Hardcover
  • 752 pages
Features
  • Used Book in Good Condition

Review

"The book considers the design of thermal systems from different engineering areas, such as manufacturing, energy systems, cooling of electronic equipment, refrigeration, environmental problems, engines, heat transfer equipment, etc. … The book, dealing with conceptual design, modeling, simulation, design and evaluation of thermal systems, contains many examples, illustrations, tables, computer programs and references."
―Kurt Marti, Zentralblatt MATH 1171

About the Author
Rutgers University, Piscataway, New Jersey, USA

Most helpful customer reviews

0 of 0 people found the following review helpful.
The book needed better example problems
By Amazon Customer
This book was required for a course. The book needed better example problems, as well as a greater number of examples. Just to be clear, the book focuses mostly on theory rather than applications.

0 of 2 people found the following review helpful.
review
By Shane Hallett
the item was correct and arrived very quickly. It was also shipped with a large amount of padding so there was no damage.

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