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When Danny Gregory's life was turned upside down by tragedy, he learned to cope by teaching himself to draw. The result was a complete transformation of his life, his priorities, his career, and the way he saw the world. In handwritten chapters full of his lush watercolor illustrations, Danny now offers readers a program for reconnecting to their own creative energies, using drawing as an example. He gently instructs us in the art of allowing ourselves to fail, giving up the expectation of perfection and opening our eyes to the beauty around us. The result is the permission to express ourselves fully and take part in the creative process without fear. Artist or not, readers of all stripes will find inspiration in this unique and beautiful book.

• Sales Rank: #52155 in Books
• Brand: Unknown
• Model: 1764714
• Published on: 2005-12-21
• Released on: 2005-12-21
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .0" w x 7.50" l, 1.25 pounds
• Binding: Paperback
• 208 pages

Features

• The Creative License: Giving Yourself Permission to Be the Artist You Truly Are

About the Author
Danny Gregory is the author of Everyday Matters: A New York Diary, Hello World: A Life in Ham Radio and Change Your Underwear Twice a Week: Lessons From the Golden Age of Classroom Filmstrips, which was named one of Amazon's top 10 humor books of 2004. His weblog, Everyday Matters, is visited regularly by tens of thousands of creative aspirants form around the world. He is an award-winning copywriter and creative director who has created global advertising campaigns for clients like American Express, IBM, Ford Motor Company, Burger King, Chase, and AT&T. He was born in London, grew up in Pakistan, Australia and Israel, is a graduate of Princeton University and lives in Greenwich Village with his wife and son.

Most helpful customer reviews

58 of 62 people found the following review helpful.
FANTASTIC!
By Linda Woods
This book is fantastic! The Creative License is funny, it's inspiring, it's open and honest and egoless, it's encouraging, and it's entertaining. Danny's passion for art and life jump off the pages and tickle you with delight. His philosophies can be applied to any creative endeavor that excites YOU and he genuinely encourages his readers to find their creative passion whether it is drawing, knitting, or blogging (or whatever you dream up).

Thank you, Danny, for writing and illustrating such a wonderful, heartfelt book for the artist in all of us.

1 of 1 people found the following review helpful.
Great book
By Judy Seaman
Danny Gregory started to journal his life in pictures following his wife's tragic accident which left her wheelchair-bound. He encourages the reader to really see the things around us, those mundane objects we encounter every day that may not be beautiful, yet they enhance our existence. He helps us to see beauty in the simple things, and enjoy those moments we have with loved ones, and even with strangers, which serve to make up the moments of our lives. His sketches are detailed and inspiring, and they show me that I don't have to be another DaVinci in order to create and enjoy art about life.

42 of 42 people found the following review helpful.
Believe in Your Art Ability
By Mary M. Wilkins
This is a fantastic book on believing in your ability to be an artist. It also teaches you to do art on a daily basis to stretch and grow in the varied mediums.

I have kept journals for years, but never art journals. I was amazed at all of the fantastic work that can come from drawing on a daily basis. I even started drawing with pen rather than pencil to allow the mistakes to be there and not be afraid of them.

I would recommend this to anyone who doesn't believe they have any talent in art and for those who do and have been told over and over again that they just aren't quite right for 'today's art market'. Get out there and draw!

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[N882.Ebook] Get Free Ebook Infantry Aces: The German Soldier in Combat in WWII (Stackpole Military History Series), by Franz Kurowski

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Combat stories of eight German infantry soldiers: one paratrooper, two members of the Waffen-SS, and five members of the Wehrmacht

A concluding chapter examines infantry tactics

This is an authentic account of German infantry aces, common foot soldiers who were thrust into a blazing maelstrom of bloody horror the world had never seen. On the frozen Russian steppes, under the scorching African desert sun, and in the final desperate battles, they were outnumbered and outgunned and faced impossible odds. Here are the fascinating stories of the men who stared death in the face during some of the most brutal battles ever waged.

• Sales Rank: #190606 in Books
• Published on: 2004-12-21
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.50 pounds
• Binding: Paperback
• 512 pages

From the Inside Flap
Here are dozens of gripping, never-before-told stories of battle in World War II?from the point of view of the enemy.

This is an authentic account?often in their own words?of German infantry aces, common foot soldiers who were thrust into a blazing maelstrom of bloody horror such as the world had never seen. They faced the savage onslaught of fire-belching tanks at Kursk and carried wounded comrades hundreds of yards to safety through a hail of bullets. They fought alone behind enemy lines, tackled a foe vastly superior in numbers, and served as machine gunners in a thousand dangerous actions. On the frozen Russian steppes, under the scorching African desert sun, in the final desperate battles, they were outnumbered and outgunned, and faced impossible odds. Here are the fascinating stories of the men who stared death in the face during some of the most brutal battles ever waged.

About the Author
Franz Kurowski served as a reporter in the German Army during World War II and has since written over one hundred books. He lives in Germany.

Excerpt. © Reprinted by permission. All rights reserved.
Rudi Brasche

"Mount up!"

Unteroffizier Laupert, leader of the regimental pioneer platoon's 1st Squad, came rushing out of the makeshift battalion command post and ran toward the truck around which his squad had gathered. Feldwebel Wegener, the platoon leader, followed him on foot. Behind him came the other two squad leaders. "What's up, Herr Unteroffizier?" called Kneisel, commander of the first machine gun team.

"We're leaving at once. The bridge at Homyly must be taken before it is blown by the enemy."

The four Opel Blitz trucks, which were parked in a wood at the side of the road, drove off moments later. They left the main road and rolled along a field road. Rudi Brasche hung on tightly as the truck pitched and rolled. The first houses appeared before the trucks. That had to be Homyly. Soon the first shots were fired in their direction from the entrance to the village.

"Ready the machine guns. Polle and Gambietz take over the antiaircraft machine gun." Machine gun bullets chewed pieces of wood and metal from the trucks. Soon they could hear the shots. Kneisel and Nehring, the two machine gunners, ripped their machine guns from the side racks and placed them on the side of the truck.

"Faster, Grothe!" The Opel Blitz leapt forward. The village houses rushed closer. Rudolf Brasche saw the first smoking tracer rounds streaking toward the leading truck. Then the first burst of fire whipped from the MG34 mounted on the truck in front of them. The second machine gun joined in, and then the tripod-mounted MG15, which was actually intended for antiaircraft purposes, began to fire as well.

Seconds later the three machine guns in Brasche's truck opened fire. The noise of the three guns nearly deafened him. As Brasche watched, Ecklebe, the second member of the gun crew, loaded a fresh belt of ammunition. Then a burst of fire struck the truck. Heierberg cried out. He let his rifle drop and half fell on Martens, the second member of Kneisel's gun crew. The truck veered hard to the right. A house flew past on the left. They were now safe from the enemy machine gun. The truck came to a small wood and jerked to a stop.

"Get out and follow me!" shouted Unteroffizier Laupert.

Brasche grabbed the two ammunition boxes. He jumped down and ran after Nehring, the leader of his machine gun team. They reached the wood together with the 2nd and 3rd Squads. Feldwebel Wegener appeared from the fourth truck. The Holtsteger squad followed with explosive charges.

"Along here! This dirt road leads right to the bridge."

Breathing heavily, Brasche ran along behind his leader. They had gone no more than four hundred meters when they came under fire from machine guns and fast-firing cannon from ahead and to the right. Glowing steel whipped toward the German soldiers. Brasche and the others hurried on, following their squad leader, who ran into a stand of tall ferns.

In front of Brasche, Nehring fell to the ground heavily. The machine gun flew through the air in a high arc and fell into the ferns. Cursing, Nehring got to his feet, shook himself off, and kept going. The forest thinned out before them. Then they saw the bright band of the road, and finally the bridge appeared in front of them.

Four figures were visible. First Squad fired at them on the run. Three of the men returned fire while the fourth ran back across the bridge.

"Stop, stop! He's going to blow the bridge."

Two bursts were fired at the fourth French soldier. One caught him before he was halfway across the bridge and knocked the man face down.

"Across the bridge and dig in on the other side!"

Rudolf Brasche felt himself getting short of breath but he kept on running, always following his squad leader. They reached the approach to the bridge. Machine gun fire whistled in from the far end of the span. Kneisel threw himself down in the middle of the bridge and opened fire with his machine gun. The enemy troops quickly turned their machine gun on Kneisel. But the Obergefreiter was quicker. His burst struck the enemy position before the French could open fire and silenced the machine gun.

"Platoon, across the bridge in one dash. Go!"

Feldwebel Wegener jumped to his feet. Noticing movement behind the main pillar, he opened fire with his submachine gun while on the run. Rifle shots cracked from the riverbank. A man running behind Brasche cried out and fell to the ground. Then they were on the other side, and the fear that the bridge might blow up under them at any moment vanished.

An enemy soldier appeared ten meters to one side of the Laupert squad. He raised his weapon, but Nehring was quicker, firing his machine gun on the run. The Germans threw themselves down into the cover of the French position. A pair of figures emerged from the bunker, their hands raised.

Shouts drifted over from the wood that flanked the far end of the bridge. Then two armored cars appeared and opened fire on the bridge with cannon and machine guns. Bullets bounced off the steel buttresses and whizzed off in all directions.

"Infantry following behind the armored cars, Herr Feldwebel!"

By running and dodging, Feldwebel Wegener safely reached the hole occupied by the Laupert squad. Out of breath, he let himself tumble in.

"Machine guns open fire on the infantry!" he ordered.

The two machine guns opened up simultaneously. The enemy infantry, which had emerged from the wood, quickly pulled back again. However, two of the seven armored cars now turned and rolled toward the squad's foxhole. The two vehicles turned their guns on the machine gun position. For an instant Brasche saw a red-yellow lance of flame; it seemed to be heading straight for him. He pressed himself against the ground and heard the ringing impacts of bullets striking the steel of the bridge behind him.

"Pass a belt here, Rudi!"

Brasche roused himself and passed along a fresh belt of ammunition. Bullets clattered against the frontal armor of the armored cars. Nehring aimed somewhat higher. He saw the flash of the impacting bullets. All at once the enemy machine gun stopped firing. The armored car now turned its cannon on the German position and was soon joined by the second vehicle.

"Damn, what's the Holtsteger Squad doing, Herr Feldwebel?"

"They're on the other side. They should have put their antitank rifle to use long ago . . ." The Feldwebel's voice was drowned out by a sharp crack.

"That was the antitank rifle."

They saw the armor-piercing round strike the leading armored car. Smoke began to curl into the air above the vehicle. The armored car's ammunition supply blew up and the crew bailed out. On the far side of the bridge the 20mm cannon opened fire. The roar of machine guns and the crackle of rifle fire added to the din.

Richard Gambietz crawled forward to Feldwebel Wegener. Rudolf Brasche, whom everyone called Rudi, followed. Nehring and Ecklebe joined them.

"Kneisel, you hold on up front and keep their heads down while we work our way along those blackberry bushes, understood? When we're in the wood, shift your fire to the right so you don't hit us."

Kneisel fired, sweeping the edge of the treed area. Feldwebel Wegener left cover and crept as fast as he could to the left, where he disappeared into the bushes. Brasche followed along behind Gambietz. He saw Nehring appear beside the Feldwebel and disappear again at once.

Brasche felt his hands, which were gripping the handles of the ammunition boxes, becoming wet with sweat. He was afraid, but he knew that he would have to overcome his fear to be effective. The pace quickened. Brasche had to keep pace in case Nehring should need ammunition. Gambietz paused and turned toward Brasche. His young friend with the slightly pointed face tried to smile but only managed a grimace. Brasche caught up with him and moments later they joined Nehring. Just then they heard the roar of an engine and the pointed nose of a French armored car pushed its way through the thicket. They all saw the machine gun and the 20mm cannon.

Feldwebel Wegener signaled silently as Wegener looked his way. He raised one of the four hand grenades he had stuck in his belt. Gambietz nudged Rudi Brasche and pulled out a grenade. Brasche put down the two ammunition boxes. He screwed off the metal caps of two hand grenades and crouched lower in the shadows of the bushes as the armored car rolled directly toward him.

The vehicle came nearer and nearer. Then Brasche spotted movement behind it: enemy infantry, trying to approach the bridge from the flank under the protection of the armored car. The French vehicle was now 30 meters away. Glancing to the side, Brasche saw that Nehring had aimed his machine gun at the enemy troops.

"Go!" shouted the Feldwebel. Rudi Brasche jumped up and threw one of the grenades. Gambietz and the Feldwebel did likewise. The enemy were already firing back when the grenades fell on the armored car. Nehring opened fire with his machine gun. The three hand grenades exploded. Brasche jumped to his feet. A bullet whizzed past his head. Behind him Nehring's machine gun roared again. Three figures appeared in front of him. He ripped the porcelain knob from the grenade and tossed it toward the group of three. At the same time he threw himself headfirst to the ground. Brasche landed hard on a stump. The burst of fire meant for him passed overhead. The blast from the hand grenade silenced the three enemy soldiers.

On the other side, Feldwebel Wegener reached the enemy armored car and threw two hand grenades inside. Gambietz overcame a second group of enemy troops. Then it was quiet, except for the sound of breaking branches as the enemy fled through the woods. There was a fresh outburst of firing to the right and then from the far side of the bridge, where a squad had been left behind.

"Back ...

Most helpful customer reviews

21 of 22 people found the following review helpful.
Infantry Aces: The German Soldier in Combat in WWII (Stackpole Military History)
By Truffles
Both my husband and my son are military history enthusiasts and I bought this book as a gift for them. It has turned out to be even better than I expected. My husband can't put it down and my son keeps asking him to read it to him.

My husband has read a lot of different military history books and he is very critical of most written works because they are not factual enough or don't contain enough interesting information. This book has actually been very interesting and informative to him and he has asked me to look into getting other books in this series.

I highly recommend it to anyone that is interested in WWII.

13 of 13 people found the following review helpful.
Infantry Aces: The German Soldier in World War II
By A Customer
This was a book that once you started reading it was very hard to put down. The book follows about a dozen highly decorated German soldiers on their fighting experiences during World War II. Most of the fighting deals on the Eastern front. This book is backed full of "in your face" combat at close quarters. When reading these experiences, one is amazed that anyone could survive such brutal combat conditions. A must read for the serious student of World War II infantry fighting.

38 of 47 people found the following review helpful.
Good Men, Wrong Side
By John Matlock
Mr. Kurowski has used his experience as a reporter in the German army during World War II to write a series of books that tell the history of the war from the German individuals point of view.

This book is a set of eight mini-biographies of German Infantry soldiers. Most of them fought through the entire war and surprisingly most of them survived the war, few without wounds. These are not stories of high ranking officers, but of ordinary soldiers of rather low rank who did their job very, very well. They fought in all the theaters of war from freezing in Russia to burning up in Africa.

I am sure that there were men like these in all armies, but these men happened to be German. We can only be happey that they didn't have a whole lot more men like these.

See all 40 customer reviews...

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Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context -- not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In Japan-ness in Architecture, he identifies what is essentially Japanese in architecture from the seventh to the twentieth century. In the opening essay, Isozaki analyzes the struggles of modern Japanese architects, including himself, to create something uniquely Japanese out of modernity. He then circles back in history to find what he calls Japan-ness in the seventh-century Ise shrine, reconstruction of the twelfth-century Todai-ji Temple, and the seventeenth-century Katsura Imperial Villa. He finds the periodic ritual relocation of Ise's precincts a counter to the West's concept of architectural permanence, and the repetition of the ritual an alternative to modernity's anxious quest for origins. He traces the "constructive power" of the Todai-ji Temple to the vision of the director of its reconstruction, the monk Chogen, whose imaginative power he sees as corresponding to the revolutionary turmoil of the times. The Katsura Imperial Villa, with its chimerical spaces, achieved its own Japan-ness as it reinvented the traditional shoin style. And yet, writes Isozaki, what others consider to be the Japanese aesthetic is often the opposite of that essential Japan-ness born in moments of historic self-definition; the purified stylization -- what Isozaki calls "Japanesquization" -- lacks the energy of cultural transformation and reflects an island retrenchment in response to the pressure of other cultures.Combining historical survey, critical analysis, theoretical reflection, and autobiographical account, these essays, written over a period of twenty years, demonstrate Isozaki's standing as one of the world's leading architects and preeminent architectural thinkers.

• Sales Rank: #2510862 in Books
• Published on: 2006-06-16
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .69" w x 6.00" l, 1.60 pounds
• Binding: Hardcover
• 376 pages

Review

"Drawing on both his own extensive experience as a practicing architect and a broad grasp of world history, Arata Isozaki takes on the century-old debate over what is (or should be) 'Japanese' about Japanese architecture. This self-reflective critique is fresh and timely, and in the process provides provocative arguments about the shape of all Japanese history."--Henry D. Smith, II, Professor of Japanese History, Columbia University

"Iconoclastic and erudite, opinionated and insightful, wily and contrarian this exciting book should be widely read not only by architects, but by anyone interested in Japan. Isozaki's essays are at once autobiographical and oracular; the collection, written over decades and discussing buildings spanning centuries, establishes his personal struggle with being Japanese in a global era as one that offers provocative insight into the culture of Japan yesterday, today, and tomorrow." Dana Buntrock , Department of Architecture, University of California, Berkeley

"Iconoclastic and erudite, opinionated and insightful, wily and contrarian -- this exciting book should be widely read not only by architects, but by anyone interested in Japan. Isozaki's essays are at once autobiographical and oracular; the collection, written over decades and discussing buildings spanning centuries, establishes his personal struggle with being Japanese in a global era as one that offers provocative insight into the culture of Japan yesterday, today, and tomorrow."--Dana Buntrock, Department of Architecture, University of California, Berkeley

About the Author

Eugene M. Izhikevich is Chairman and CEO of Brain Corporation in San Diego and was formerly Senior Fellow in Theoretical Neurobiology at the Neurosciences Institute, San Diego. He is editor-in-chief of Scholarpedia, the free peer-reviewedencyclopedia.

Arata Isosaki is a leading Japanese architect. His works include the Museum of Contemporary Art, Los Angeles, the Olympic Stadium in Barcelona, the Volksbank Center am Postdamer Platz in Berlin, the Team Disney Building in Orlando, and the Tokyo University of Art and Design.

Most helpful customer reviews

10 of 11 people found the following review helpful.
Profound and thought provoking
By J. Simon
I ordered this book before publication and it wasn't until the summer of 2006 that i read it. and read it and read it. It is not easy to grasp for it complexly relates the myth of "Japan-ness' and how the qualities of Japanese architecture have been influenced by critics, history, individuals and foreign interventions - Isato concludes that there is no 'essential Japanese style but a complex web of forces creating various Japanesese architectural forms. "Japan-ness in Architecture" is a beautiful blend of personal and historical explorations that reveal the sources of styles whose effects continually define structural identities and transformations throughout 'Japanese' history. This is one of the best books I have read on the interaction of Japanese history and culture.

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• Sales Rank: #375365 in Books
• Brand: Brand: Senate
• Published on: 1996-06
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .75" w x 5.31" l,
• Binding: Paperback
• 304 pages

Features

• Used Book in Good Condition

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3 of 3 people found the following review helpful.
Great
By Cole
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Josiah Jefferson left the polygamist community he grew up in to make a new home in Corbin's Bend. He wanted to find the one woman he could love and spank for the rest of his life. When a summer storm blows beautiful Lannea Paulsen into his life, he sees it as fate and never looks back.

Lannea Paulsen, better known as Laney to everyone but the stubborn Josiah, has had two goals since she moved to Corbin's Bend last year. Save enough money to buy half of The Ginger Paddle, the sushi restaurant she runs with her cousin, and find a strong dominant man who is willing and ready to take her in hand in every way possible.

When Laney puts the business in jeopardy, Josiah comes to the rescue. One thing leads to another and they find themselves in a tumultuous platonic DD relationship. Sparks fly as they both refuse to admit the depth of their true feelings. Will they settle for less than they desire or will they chase after everything they have ever wanted?

About Corbin's Bend:

Welcome to Corbin's Bend, the first equity-cooperative housing development just for spankofiles. Thirty thousand acres in the mountains above Denver sits your dream come true. With 1000 home sites, several restaurants, a club house, theater, pool, and many other amenities, you will find yourself at home.

Corbin's Bend is the setting for a group of spanking romance novellas set in, where else? Corbin's Bend, Colorado. A fictitious housing cooperative, Corbin's Bend is unique in that everyone living there is into spanking, whether that be erotically or through domestic discipline. Just imagine, a place where nobody has to hide their particular spanking lifestyle.

While reading any series in order is nice, Corbin's Bend books can be read as stand-alones as well.

• Sales Rank: #116094 in eBooks
• Published on: 2015-01-14
• Released on: 2015-01-14
• Format: Kindle eBook

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2 of 2 people found the following review helpful.
Another great read from the Corbin’s Bend residents!
By DiDi - Guilty Pleasures BR
Deciding to leave his polygamous community, Josiah finds himself still desiring the relationship having him, the man, as head of household, and domestic discipline at the core. Finding Corbin’s Bend has all these requirement, Josiah, quickly, applies and is accepted.

Laney Paulsen hopes every time a new resident comes into town that it will be a hunky man that was sent just for her. When Josiah rolls in, she is immediately drawn to him and begins to wonder if he is “the one”. The descriptions of the relationship that Laney so desperately desires, sets up the book wonderfully, having the reader to hope that she finds exactly what she wants.

Entering a “partnership” to hopefully gain what both desire, the two find that what they want and what they agreed upon are two separate things. Reading through as the two battle, riding the emotional and sexual roller coasters, this book is one you definitely want to pick up. Another great read from the Corbin’s Bend residents!

Review copy provided for an honest review.

2 of 2 people found the following review helpful.
There is a nice crossover from Rayannna Jamison’s polygamist stories to the spanking ...
By Marybeth
This is the next book in the Corbin’s Bend series. There is a nice crossover from Rayannna Jamison’s polygamist stories to the spanking community of Corbin’s Bend. Josiah is in his thirties and no young lady has gone to the Bishop to let him know that God has chosen him to be her husband. There is terrible gossip going on in the community and Josiah knows that it is time for him to leave. When he goes to the Bishop to let him know he is leaving, the Bishop introduces him to Brent in Corbin’s Bend. Josiah moves to Corbin’s Bend to be a police officer there. On his first day there, he meets Ginger. She and her sister Lane and her husband moved to Corbin’s Bend to experience a discipline community. They started a sushi restaurant there. Ginger is the sushi artist and Laney runs the business. Anyways, Ginger and Josiah find they have a lot in common and start a relationship. There are a few twists and turns along the way, but they do end up having a HEA. I give this 5 stars.

3 of 4 people found the following review helpful.
Perfect Indeed
By Nonni
Wonderful addition to the Corbin's Bend series. Full of humor and wit, love and discovery. Laney who works at the Ginger Paddle, a sushi restaurant, has been dreaming of the perfect dominant for years and being single in the Bend, living with her cousin and brother-in-law is driving her nuts. She loves them both but knowing how wonderful their relationship is and the fact that they practice the D/D she so desires, is very hard. When Josiah moves into the community, she has already decided to stop her fantasy - she was just fine on her own. New to everything having to do with dating, as Josiah comes from a very religious community, he is intrigued from the moment he meets the fiesty smart aleck redhead on his first night as the newest police office in the community. His patient is tried from their first meeting and before he knows it, the woman has agreed to let him be her HOH - he could spank her but he could not date her. She wants the man of her dreams, a dominant man who has tons of experience. Ms. Jamison's book is funny and loving, it speaks of fantasies and how reality can be oh such much more fulfilling. I'd recommend to anyone who likes discovering all the different ways a relationship can become the perfect partnership.

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